I had a 12-to-15-foot putt that was a little up hill and broke a little to the right.'' "Blake had about the same putt, but from about three feet back,'' said Science Hill coach Josh Carter. "I wasn't as sure over mine, but he told me about three times that he was going to make his.'' "This team means everything to me,'' said Voss. "He told me before he putted it that he was going to make it,'' said teammate Blake Howard, who parred both playoff holes. But the junior not only made that putt but also one on the second playoff hole to decide the tournament and send his team back to the state tournament for the first time in three years. If Voss missed it, Science Hill was staying home. ![]() 25, 2006 KINGSPORT - Call it the "power of positive thinking.'' Dane Voss was faced with a 12-foot birdie putt on the first playoff hole Monday at Ridgefields Country Club after his Science Hill team and Jefferson County's team tied with 308 totals in the Region I-AAA boys' tournament. They pose with their plaque and meet director Eddie Durham of Dobyns-Bennett. Paul Watt, Derek B.The Science Hill golf team beat Jefferson County on the second hole of a playoff Monday to qualify for the TSSAA state tournament in Murfreesboro. His articles have been published in Eighteenth-Century Fiction, Eighteenth-Century Studies, Studies in Philology, Book History and The Papers of the Bibliographical Society of America. His current research is divided between the publication and reception of Eliza Haywood's works and the authorship and publication of eighteenth-century erotica, the subject of his Australian Research Council Postdoctoral Fellowship. ![]() Patrick Spedding is a lecturer in literary studies and Associate Director of the Centre for the Book at Monash University, Victoria. Patrick Spedding, Monash University, Victoria Since March 2014, with the aid of a major award from the European Research Council, he has been researching the reception of twentieth-century German operetta in London and New York. His books include From the Erotic to the Demonic (2003), Sounds of the Metropolis (2008), and Musical Style and Social Meaning (2010). Scott is Professor of Critical Musicology at the University of Leeds. With funding from the Australian Research Council, he is writing a critical biography of Ernest Newman and a history of the reform and regulation of music criticism in late nineteenth-century England.ĭerek B. His articles have been published in the Royal Musical Association Research Chronicle, Nineteenth-Century Music Review, Music and Letters and Musicology Australia. His previous books include Bawdy Songbooks of the Romantic Period (edited with Patrick Spedding, 2011) and Joseph Holbrooke: Composer, Critic, and Musical Patriot (edited with Anne-Marie Forbes, 2015). Paul Watt is a senior lecturer in musicology at Monash University, Victoria. Australian songsters and the Australian folk song movement Graeme Smith. Popular songsters and the British military: the case of The Girl I Left Behind Me Anthea Skinnerġ2. The blackface songster in Britain Michael Pickeringġ1. Rethinking the songster and national-cosmopolitan identity in Lowland Scotland, c.1787–1830 Andrew Greenwoodġ0. ![]() Charles Robert Thatcher's songsters: politics on the goldfields of Victoria, Australia Mark Pinnerĩ. 'Confound their politics': the political uses of God Save the King-Queen Paul PickeringĨ. Friendship, cosmopolitan connections and late Victorian socialist songbook culture Kate Bowanħ. The US Presidential campaign songster, 1840–1900 Derek B. ![]() The genesis of Thomas Moore's Irish Melodies, 1808–34 Sarah McCleaveĥ. The prefaces to songsters: the law, aesthetics, performers and performance Paul WattĤ. American secular songsters in the nineteenth century: an overview Norm Cohenģ. The nineteenth-century songster: recovering a lost musical artefact Paul Watt, Derek B.
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